Client

Showtown

Location

Blackpool, UK

Collaborators

Casson Mann, Coda to Coda, Beck Interiors, Sysco Productions, Aivaf Ltd.

Sector

Entertainment

Services Provided

Strategy
Digital design
Physical design
Immersive experience design

It’s rare to be asked to help fuel a community’s revitalization, rarer still when the fuel stock is so rich. For over a century, Blackpool has been Lancashire’s capital of seaside entertainment, but evolving tourism habits have eroded its position. A new museum, anchored by immersive experiences that spotlight the town’s colorful heritage, is putting Blackpool back on the map.

                        

Across six galleries co-designed by Casson Mann, Showtown Blackpool invites visitors behind the curtain to explore and celebrate the town’s circus, magic, theater and dance cultures, plus its world-famous illuminations and beachfront.

The museum translates interactive elements, novel designs, characters and a vast archive of assets into a cohesive narrative that responds to the needs and preferences of visitors. We achieved this balance through close collaboration with local schools and those with learning difficulties, ensuring the project is both accessible and inclusive.

                        

Each gallery is a testament to the power of immersive storytelling. Through six interactive galleries, the museum invites visitors both to witness and participate. Upon entry, visitors are greeted by a panoramic, 15-meter-long screen. Our animations highlight famous faces and voices, and depict the daily events of this dynamic seaside space.

We also created some unique guides: an animated donkey and yes, a flock of seagulls. The characters guide visitors through the whole exhibition, blending high-level narration with intricate details to ensure an engaging journey through Blackpool history.

                        
                                                    

The Magic Gallery innovates with four AV screens embedded in a shelving unit. The solution combines physical objects, such as dice, playing cards and illusion boxes, with digital depth, including films of legendary magicians like Tommy Cooper and Sooty. Here, magic and technology intertwine to create the illusion of 3D space within the screens, offering a glimpse into the craft without revealing its secrets.

                        

The Circus Gallery presents museumgoers with interactive dressing tables with two-way, interactional mirrors. A button triggers a video edit featuring clowns, a daredevil and a ringmaster alongside a projection in a circus tent.

                        

The Showtime Gallery pivots around an interactive audition to immerse visitors in the world of showbiz. Animated posters reflect the breadth of artists who’ve performed in Blackpool’s venues over the years.

A standout feature is the “Pepper’s Ghost” animation technique, which brings drag cabaret artists Funny Girls and other iconic performers to life — yet another innovative touch that fosters connection with Blackpool’s vibrant cast of characters.

                        

In the Illuminations section, our worktable interactive displays invite visitors to practice the art of illumination. Riffing on Blackpool’s iconic promenade lights, these elements seamlessly merge a history lesson with hands-on creativity. Here, visitors can listen to and learn from the creators, design illuminations and discover the history and magic of the UK’s oldest and greatest free light show.

 

                        

Impact

10k+

visitors in first three weeks.

1st

Museum dedicated to fun & entertainment in the world

£13M

Total investment in museum project
                        

In the Dance Gallery, visitors explore the evolution of dance through a dressmaker’s table narrated by Strictly Come Dancing costume designer Vicky Gill, and a projection-mapped ballroom narrated by dancer Len Goodman. A curved wall AV allows visitors to place their heads onto projections of moving bodies dancing through different dance styles.

By filming dancers and creating an intricate digital performance space, we quite literally set the stage for museumgoers to actively participate in Blackpool’s storied dance culture. The interactive is also adaptable for wheelchair users. 

Liz Moss

A fascinating, bright, brash, bold collage … done in a really innovative and colourful way.

- Liz Moss, CEO, Showtown